Lottie interview and new single 'Last to Admit'

We chat with Lottie to delve into her latest release, Last to Admit, the captivating follow-up to her debut single, Gimme. With a unique blend of pop and dance influences, Lottie continues to carve out her space in the music scene, and we're here to explore the inspiration, creative process, and story behind this new track.

Your first single, Gimme, introduced a vibrant pop-dance style. How does Last to Admit evolve your sound?

Last to admit definitely explores a more vulnerable sound compared to Gimme. My producer Dan Martin and I wanted to try different sounds before locking into one genre and I just feel it naturally evolved through that process. 

Last to Admit suggests themes of introspection or reluctance. What’s the story behind the song, and how do you channel complex emotions into your lyrics?

The story behind last to admit really stems from the idea of always saying I’m fine no matter how tough life gets. Channeling emotions into music isn’t always easy, but for me, it’s therapy. Writing allows me to face my feelings head-on and turn them into something meaningful.

How do you draw creative inspiration from moments of vulnerability, whether yours or others’, in navigating health or emotional recovery?

I’ve always believed that life’s emotional experiences make the best music. When I’m going through a tough time, there’s comfort in knowing that I can transform those struggles into something beautiful. It’s a way of finding meaning and hope, even in vulnerability.

How does your upbringing in the Manawatu influence the way you tell stories through your music?

Growing up in a small town, I was surrounded by so many people from completely different walks of life. I saw a lot more firsthand which helped me develop a deeper empathy. That in itself has influenced not only my music but my perspective of the world.

If you could collaborate with any artist—past or present—who would it be, and why do you feel they’d align with your style or vision?

I would love to collaborate with Tate McRae. We both come from a heavy dance background so I think we’d work well together in the sense of pushing ourselves creatively. Her artistry also aligns massively with my vision blending both music and movement into something powerful.

Between Gimme and Last to Admit, what personal or artistic growth do you feel has occurred, and how does it manifest in your music?

Lyrically, I’ve experienced significant growth between Gimme and Last to Admit. Gimme was one of the first tracks I wrote with Dan, and it came together quickly and lightheartedly. In contrast, Last to Admit challenged us to dig deeper and really focus on conveying the song’s emotional depth.

Music can be healing for listeners. What message or feeling do you hope Last to Admit conveys, especially to those navigating personal struggles?

I hope the song reassures listeners that it’s okay to feel vulnerable and to take time to process those emotions. If it helps even one person feel seen or understood in their personal struggles, then I’ve done my job as an artist.

How does Last to Admit set the scene for your upcoming EP, For What It’s Worth, and what can your audience expect next?

Last to Admit paves the way for my EP by embracing the unexpected. After ‘Gimme,’ many people might have anticipated another dance-pop track. While most of my music falls under the pop umbrella, we’ve experimented with a variety of sounds, and I think the EP is a true reflection of that exploration.