Music
Monolith Pleasure Cult may not yet be household name. But the project has a history that really stands out. Previously releasing music as Sal Valentine, the artist also had stint as drummer for iconic NZ group The Beths. With a track record of this calibre, the music carries a level
Interview
Aubrie Mitchell has a knack for turning the things that get under her skin into music. Her latest single, Where She Goes, digs into the pressures of holding impossible standards and an idealised version of yourself - a byproduct of modern culture I'm sure many will find relatable. The
Interview
Life can be immense and complex. Most of us know this. Through its turbulence, time has a way of dulling the vibrancy and wonder of the human experience. As kids, everything seems so marvellous. As adults, it becomes a constant process of figuring it all out. But perhaps a little
Daily use of Spotify has fallen among New Zealand audiences, while new research from NZ On Air suggests there remains a significant appetite for local music – provided listeners can find it. The findings come from the 2026 Where Are the Audiences? report, conducted by Verian for NZ On Air. The
Kia ora and welcome to my personal newsletter to Empty Spaces readers. No frills here. In the following I'll include my favourite content from the website, as well as anything topical that's on my mind (be warned!). I'll write these every now and then
Many artists are aware of the change in landscape brought about by digital media and how it has pushed the majority of creatives to do a lot more than just make art. There is a growing demand for artists to not only stay relevant through what they create, but also
Nobody told me when I was starting out about the highest cost of being an indie artist in New Zealand. It's the hushed secret told behind closed doors. The opinion you dilute with an extra hot espresso and an inner mantra of "she'll be '
AUCKLAND, NZ - Independent music platform Empty Spaces has announced a new subscription model designed to strengthen support for local music journalism while creating a more connected and sustainable ecosystem for artists and industry. The Industry tier, priced at NZ$40 per month, is built for publicists, promotors, managers and labels
A new international study has found New Zealanders dream of becoming a DJ more than any other job. The research, carried out by Remitly, analysed Google search data across more than 140 countries, tracking how often people searched “how to be a [job]” to uncover the careers people are most
Fresh tracks, and the stories that matter in Aotearoa’s evolving scene.
I've never been short of praise for Rockquest Promotions and the platform they provide for young artists. I myself enjoyed three years partaking in the competition, and like many took a lot of inspiration and self belief from my experiences. Well, the event has now wrapped up for
Hip Hop is synonymous with pushing the boundaries of conventional music culture. Every now and then a new artist comes along and changes the game entirely. There is something about Furo 4404 that really stands out to me. It could be in the name... it's rare to see
Holy smokes. I was absolutely floored when I first saw the lineup for Electric Avenue earlier this morning. Kings of Leon, Kasabian, Calvin Harris, Kehlani, Major Lazer, Bebe Rexha, Jungle. This is the most impressive New Zealand festival lineup I can recall since the days of Big Day Out. What
At 23, Sabreen has built a creative practice that spans music, writing and cultural expression. Her songwriting draws from lived experiences, identity and the process of figuring it all out. For Sabreen, making music is as much about growth as it is about creation. With a new EP, Forget Me
Aotearoa’s live music scene is packed with bands finding bigger audiences, and Wet Denim are right in the middle of it. The Wellington group have spent the past few years building a reputation through their live shows and sharp, guitar driven songwriting. With EP Water For Dogs out tomorrow,
The early 2010s delivered an incredible era for electronic indie music. Bands that had the ethos and attitude of a guitar driven sound but instead relied on synthesisers to do the heavy lifting. I'm talking about artists such as Passion Pit, MIA, and LCD Soundsystem, as well as
Folk music has a proud history in New Zealand, and this spirit is deeply entrenched within Tāmaki Makaurau's annual celebration, Auckland Folk Festival. The largest dedicated folk music festival in Aotearoa, the event has an inclusive community feel and a level of ambition that reflects the growth, creativity
The CRL is the talk of the town. And so it should be, it's taken long enough to make it happen! I recall a time in 2009 when I was 16 years old about to perform at 95bFM's Fancy New Band showcase. In those days, the
Sonny and Tiana, better known as MITI have created a brooding dark pop country sound that is both intriguing and highly palatable. They've released three singles to date, the latest being the resolute 'Wasting More Time on You'. The duo have a unique ability to change
Almost everyone knows about the controversy surrounding AI use to create music. Some have embraced it, even right at the top of the food chain. But for most, especially artists and those of us who give a shit about creative integrity, the concept as a whole is quite revolting. Everyday
Lacquered Black aren't about typical grunge sob songs. The Auckland band are building a sound around the kind of live energy that leaves a room speechless. They're working towards their first recorded releases, and are keeping things as old school as possible - tracking in a live
JessB is truly a force of nature. The Aotearoa artist has spent the past seven years experiencing culture around the world, sharing stages with renown global icons and digging deep into the origins of hip hop. More recently, she's been releasing new music. Multiple singles, each unique in
