Jesus Christ Superstar delivers electrifying theatre and rock 'n' roll power

On a Saturday afternoon in Tāmaki Makaurau, Jesus Christ Superstar delivered an electrifying rock n roll power performance at the Civic.

Ahead of the show I'd heard positive feedback, so I had reasonably high expectations off the bat. We took the rail and got off at new Te Waihorotiu station, literally 50 metres from the Civic - a fantastic way to get to the show.

Time and time again, it never ceases to amaze, entering the Civic under tightly confined decorative and intricate passageways that lead to the seats. We were positioned front and centre in a prime location to experience the incoming spectacle, beneath the starlight ceiling in all it's glory.

The show opened with a slow build, Judas owning the stage backed by instrumentalists positioned on crucifix inspired platforms. As the the music crescendoed to a release the remaining cast flocked to the stage from within the audience before revealing Christ himself. Right away, I was impressed with the musical delivery of the songs. The band was tight, and every cast member had pipes. This was apparent, in particular by the high pitched rock n roll screams woven in throughout the show.

The story of Jesus, from his time in public ministry to crucifixion was told by song and performance, with a distinct rock n roll culture. The duet shared by Mary Magdalene and Jesus was a memorable standout, as was the depiction of Judas's betrayal which built tension right before the interval.

Into the second act and the power of music was out in full force. While the full throttle songs were impressive, greater sensitivity to dynamics would had made the big moments all the more impactful. As the show built towards the act of crucifixion, there was a building uneasiness that kept you on your toes. Small pauses and glances added elements of humour in what was otherwise a serious portrayal.

I was a little disappointed not to see the stage set evolve as the show progressed. The story evokes endless possibilities and this opportunity could have been better utilised, by a set that largely did not change until the near the end.

When the moment finally arrived with Christ on the cross, the audience applauded in hordes, commending the showmanship of the cast and magnitude of the moment. I had to note, the hypocrisy of a crowd of people clapping to Christ's death and it's similarity to the way events in the story could have transpired.

Overall the show was fantastic. With a greater stage set and more intentional lulls and peaks it could've been even better. It was electrifying, theatrical and at it's core, truly rock n roll.