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Auckland/London post-punk outfit Napoleon Baby pull no punches on their debut album ‘Everybody’s Watching and Nobody Cares’. Equal parts protest and provocation, it’s a sharp, lo-fi statement from a band unafraid to say the quiet part out loud. Built on raw guitar work, biting lyrics, and a
Review
Ōtautahi’s Volts step boldly on stage with their long-awaited self-titled LP—an album that crackles with intensity, heart, and a clarity of purpose. Pressed to vinyl as part of Holiday Records' Drops series, this debut feels like a milestone—it’s a loud, emotionally charged arrival. At its
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Emerging from the heart of West Auckland, Ceazerr makes a strong entrance with ‘WusHannin’, a heavy-hitting new single that serves as a no-frills introduction to a rising voice in Aotearoa hip hop. Backed by a beat that knocks and a delivery that hits hard, ‘WusHannin’ captures the energy of an
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New Plymouth trio People of the Sun aren’t here to play it safe. Their self-titled debut is a bold, emotionally resonant collection that fuses rock, soul, jazz, and indigenous soundscapes into something both ancient and immediate—a spiritual soundtrack for uncertain times. Formed by seasoned musicians Joseph Anderson, Djordje
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Love songs are easy to write but hard to mean—and even harder to deliver without slipping into cliché. But 1 Drop Nation, the Ōtautahi-based six-piece known for their deep roots-reggae-funk fusion, manage to sidestep the expected entirely with their new single ‘The Way We Love’—a track that feels
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Romantic, daydreamy, and just the right amount of dizzy, Jenni’s new single ‘Stuck On You’ is a crush anthem for anyone who’s ever spiraled into a heady “what-if.” Blending glittering modern pop with classic country storytelling, the 24-year-old Aotearoa singer-songwriter hits a sweet spot between heart-on-sleeve vulnerability and
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Tāmaki Makaurau/Berlin-based trio Prosa waste no time introducing themselves with their debut single ‘Decline’ - a two-minute-fifty-eight-second jolt of post-everything fury that feels not only timely, but necessary. It’s the sound of the world teetering on the edge, and someone daring to dance to it anyway. Recorded by
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Don’t forget the capital H. Te KuraHuia is spelling it out loud and proud, and with good reason. The rising Māori-Pasifika artist, actor and storyteller is making waves across music and performance with a fierce sense of identity, ancestral purpose and unapologetic self-expression. Fresh from representing Aotearoa at Tkaronto
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Jazmine Mary’s third studio album, I Want to Rock and Roll, isn’t quite the riot its title might suggest but it is a release of another kind. Out now via Flying Nun, the record is an emotionally charged, genre-warping collection from one of Aotearoa’s most quietly adventurous
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Wellington-based progressive metal outfit Make Dark are building momentum with the release of a live performance video for their latest single ‘The Summit (Pt. 1)’—a brooding, slow-burning journey that showcases the band’s command of atmosphere, tension, and release. Filmed live at the Underworld Tavern in Wellington, the video
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Malaysian-born, Auckland-based artist WEE (Ka Wee Teong) returns with FAR, a genre-defying three-track EP that marks a new chapter in both his sound and self-expression. Known for blending raw emotional honesty with experimental production, WEE has carved out a distinct space at the intersection of emorap, trap, boombap, and alt-rock.
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Wellington’s First Reserve isn’t pulling any punches in 2025. With just over a year of live shows and sonic soul-baring behind them, the project of Ryan Connaghan has swiftly become a fixture of Aotearoa’s alternative circuit. Their latest single, 'Last One' is a sharp turn