The Dorado Experiment defy modern music conventions with their album Becoming a Man

A lot of music released today is so meticulously crafted and intentional. More often than not created for user-appeal, accessibility and platform optimisation. These objectives bare their teeth in the form of the perfect gated snare, a song 3mins 28 seconds in length and a thrice repeated chorus with some kind of bridge or instrumental breakdown. While I don't have anything against the modern 'standard' for music, it is refreshing when something a bit different comes along.

The Dorado Experiment are in all aspects, a collective energy force. Their music is played on intuition and connection. An expression of feeling that becomes a journey to unworldly realms. Primarily a live band, they've recently released a debut album that was recorded live in a studio setting. The songs are representations of their performance energy minus the interplay and exchange that occurs between a band and the audience during a live performance.

The first thing I noticed about the album was that almost all of the songs are longer than six minutes. The second observation I made, was that most of the songs fade in gradually over textured soundscapes as opposed to hitting it right off the bat. This album asks of your time, patience and persistence. Much like life itself, you only get what you give, and this album will give - if you only allow it the space to breath.

So space and time I gave, gradually letting the waves of sound sink in and show their true form. On the surface, the Dorado Experiment sound like a 70s psychedelic rock n roll band.  I've always had a soft spot for Led Zeppelin's more melodic, thoughtful side and I can hear the hum of the Lead Balloon overhead on this album. In it's more snarly moments, it's as if Cream or The Who are peering over the Wall.

As I travel deeper the songs reveal their pure intentions and metaphoric analogies that sit within - often commentary on life, the nuances of culture and the challenges of remaining connected in the face of advancement. The songs all stand out on their own. Of the lot, my pick is Doors. Gradually drifting in with soft ramblings, reminiscent of the namesake song Ramble On by Led Zeppelin, it eventually morphs into an electric explosion that is a celebration of life.

Further highlights include Skool Sux, an age old ode to rebellion in the education system featuring fizzing guitars and a whole lotta attitude. Tool is another slow burner that can gradually infiltrate your ear ways. Love Sacrifice is is longest song on the album at 17 minutes, though I hear it is often even more drawn out when performed live.

Something about the authentic essence of the band is gripping. Once you allow the songs to sink in after a first impression, beyond the superficial, they really will tug at you. The digital age has such little patience for true meaning if it takes a while and doesn't hook you from the outset. This album is a reminder of the value in slowing down. Perhaps it is something we all need.