Music
Auckland artist Sabreen has released a new version of her 2025 single ‘The End’, this time reworked through a collaboration with Palestinian artist and activist Rana Hamida. ‘The End (Arabic Version)’ expands on the original song, digging into grief, and connection - combining South Asian and Palestinian musical influences into a
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There is a slow fading of that (anti-culture) New Zealand-ism in modern Aotearoa. It's an imperfect, organic way of life that presents itself in our strange rounded yet twangy accent. A habit of calling things as they are and an unintentional preference for downplaying it. Go
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It’s great to see the Aotearoa music scene thriving and I love that we still set aside the month of May to celebrate our local artists and bands – especially fresh talent. But I’ve struggled these past few years to keep up with the pace at which new artists
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Her new single All of Me pulls from folk roots fused with pop rock textures - it's a deliberate and stylistically driven sound refined with just enough edge to feel lived in and direct. Dani writes with a sort of tension that draws on soft lines and open melodies.
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Breaches debut EP lands in the middle of alt-pop’s shift toward a rougher, heavier, and more texture-led sonic quality. Across four tracks, the Pōneke duo trade polish for pressure. Guitars that crackle alongside low sitting synths in a mix that holds slow brooding intensity at the forefront.
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Auckland’s BIG FAN is putting rangatahi at the centre of the live music space with a new all-ages series set to run across 2026. Called New Fans, the programme provides paid work opportunities for youth to become involved across all aspects of live music events. The series kicks
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Meticulously crafted over more than six years, and with a title that reflects a decade of personal discovery, Andy Smith’s album Ten Years is a clear example of how DIY music-making can evolve into an undeniably polished record. Written, produced, recorded, and mixed primarily by Andy himself, Ten
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The 2026 Aotearoa Music Awards finalists have landed, with winners to be revealed on May 28 at The Civic to close out New Zealand Music Month. Marlon Williams leads the field with seven nominations for Te Whare Tīwekaweka, his te reo Māori record that hit number one and shifted the
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In a music landscape shaped as much by moments as releases, FromThePit is back with a focus on what happens in between the headlines. Now in its eighth year, the annual showcase brings together 58 photographers, each offering a different entry point into Aotearoa’s live music culture. The result
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Carefully balancing desire and melancholy, passion and gloom, Tebsin introduces her brand of sad girl pop with debut single ‘Decadence.’ We’re drawn into her intimate world with a reverb-drenched guitar riff reminiscent of mid-2000s alt pop. Produced by Will Henderson, the track opens slow and close. Tebsin’
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Meddles lock into a tight, restless energy on ‘Down Every Road’, a track driven by fizzy guitar textures and a vocal tone that nods to early 2000s alt-rock. Right off the bat, these guitars crackle with tension. They sit just on the edge, bright and overdriven, pushing against the
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‘Again’, is a country-pop single built for open-road drives and easy singalongs. With a renewed sense of purpose, the release marks Josh Keatings return to music. At first, it seems ‘Again’ fits the mould of a classic country pop song. Clean blues driver guitars, steady rhythm, and a
